About photography themes, themes and composition of

Every good photography, should have a corresponding photography theme – photography through the screen you want to convey the idea of meaning. Photography topics determined that directly affect the photographic subject matter and photography composition of further options; and, in turn, clever photography people will use the unexpected composition, to the best in performance, leading to better express a photographic topics. In photography topics every good photography, should have a corresponding photography theme – photography through the screen you want to convey the idea of meaning. Photography topics determined that directly affect the photographic subject matter and photography composition of further options; and, in turn, clever photography people will use the unexpected composition, to the best in performance, leading to better express a photographic topics. In photography themes, subjects and composition on three, composition seems to occupy the position of the most important, because all of the screen, always through the composition. This is particularly important in landscapes. For example, photographing flowers, if you simply take a close-up of a flower, it is a very beautiful picture, but such composition is too common, not new, but technically it is very simple, only need to change into better weijujing, simply good Aperture Shutter and focal length, this tiny world is easy to take out, and very beautiful, but also has some shocking. This has some basis of photography people without difficulty. But our requirements do not stay here. This film picture composition, can only briefly, but no deeper expression. We want to convey through the macro world a mood, a thought, not too popular to shoot. Photographing flowers, this is the theme, the theme set, it will be thinking about what kind of composition to subject? my theme? I can spend cheerful clap, clap clap and quiet, even sad sad, I can give their feelings. This flower in my composition in an expression. This expression is exactly what I want to express the topic. After long consideration and observation, I have not passed the macro close-up Daisy zoom, but changed the orientation. I take down the angle of shot, in the foreground to join other few bunch of safflower safflower, through the person's gaze straight to open baiju. Amazing, look at the duo turned onto the chrysanthemum, a flower too plump had broken from the basin in pots in the fall, reclining on the edge, or even nearly fell out of the pot you want. A closer look, the feel of several very suddenly. Think about it, this is very sad and sentimental! bud up when opening is booming, but take a rod Gravis support and helpless, but still tenaciously open!, how magnificent and charming, seemed to be waiting for someone to help enjoy! the whole picture is too beautiful, clear body composition, ideographic subtle and tasteful, the screen has a deep meaning. This is the charm of the composition, change the angle, the expressiveness. Photography theme when you determine the performance of the topic, to end, often require multiple choice of composition. 1 go shoot bridge. Because the subject is photographed, so do not want other school scenes into the lens. But in Russia and in a wall with big East, take big Bridge, but always of high rise workers emerge among them, very annoying. Try to take some tolerance took heart, the effect is not very satisfactory. Although the effects are very good, but for Chinese Tower ";" my resignation. Viewfinder, purport to think "borrowed" some of the big stature among tall with a large foil to arch beautiful, delicate and elegant and compact but photos shoot out of sight but not consciously is moved to the building up to the magnificent building momentum lament, but this is not the intention. Feel the "expression of the main error, primary and secondary upside down". Get rid of tall buildings, but you ought to feel reboot composition, not the end of the bridge should have high appear to be incomplete, or does not look good. Through observation, I simply changed the azimuth, walked to the bridge near the tail, the bridge, omit the bridge, with partial picture as a whole. The photographs have a kind of beauty. Vista exclusively to large. Very quiet, very warm and beautiful. There is little warmth. Sometimes, change orientation, photographs will be very good, very responsive. Ever filmed an ancient temple. Start with a border of the composition, attentively at the shoot. Green border around an ancient temple in effect very well intentioned, but look at the screen in the distance, but approvingly little modern architecture, this affects the overall theme of classic effects, slightly complex, sorry. I did not want to use post-processing to remove modern architecture, had to give up. Slowly paced around the temple, go to the other side, there is a point just comply with my request, only the old monasteries, no debris, so immediately lens alignment of rare photos, adjust the data, press the shutter. Shoot down the temple was not perfect, but still seemed dignified, quiet, without the interference of modern architecture, picture theme more single focus. Have a special feel and flavor.