Five natural atmosphere of shooting tips

· Five natural atmosphere of shooting tips to the cloud is sky agglomerate of wet, it is in the sky as the weather changes and condensation, moving, and dispersed. Cloud really is beautiful, but there are a variety of different image, common to the clouds, cloud, cloud, cloud scales, cloud, clouds, huoshaoyun, etc. Like shooting landscapes, clouds are particularly fond of. A piece of scenery as · five natural atmosphere of shooting tips

The cloud is sky agglomerate of wet, it is in the sky as the weather changes and condensation, moving, and dispersed.

Cloud really is beautiful, but there are a variety of different image, common to the clouds, cloud, cloud, cloud scales, cloud, clouds, huoshaoyun, etc.

Like shooting landscapes, clouds are particularly fond of.

A piece of scenery photos because of the cloud will increase. Many good features but often lack the clouds in the sky, the sky is part of the screen is too open and fly in the ointment, or even affect the screen structure and tonal balance.

Cloud not only increases the scenery of the beautiful and the equilibrium of the screen, but also can use a different image of the performance features of cloud season and climate.

For example, spring morning light clouds, summer condensation of clouds, autumn beautiful fish scale cloud, cloud of bars in sparse; the clouds in the morning and evening clouds, sunny cloud, Typhoon Eve Huoshaoyun, storm clouds and so on, are all manifestations of each different season, climate, and time. Even though the scene itself has no obvious characteristics of the time, but since the features in the cloud, from cloud image can know what season qi climate. A cloud is a diverse, different image. We use the cloud to the sound of things, but also to note that the image of the white cloud is compatible with the scenery. For example, there is a notable bar scene, there should no longer use the cloud to reflect back bar, otherwise it will make the picture more horizontal bars, lines caused screen dull, no change. And if taken and scenery body size equal to the white company, can have a picture of the host does not divide. Therefore, to take as a foil to the scene of the cloud, you must pay attention to it's image, and with the principal of distinct proportions, to make the picture vivid, moving. Secondly, there is no deep layers of clouds, which is not suitable for any scene, not foil as the body, the General level of white clouds most of the produce in the morning or afternoon sun angle beam. Therefore, in a slanted sunshine shoot scenery, is the most appropriate use of sky clouds accompany them. Cloud image, with the wind ever, we need to grasp the opportunity, to have patience, will get good cloud view. But when you use the shooting filter, color more polarized lens, black and white photography more yellow and orange filters.

Name: beautiful glimpse of author: steppe scenery FBI007

· Five natural atmosphere of shooting tips

Use of the fog layer or layers of film scenes, Lesley can make changes to the scene of much recent available.

It features tonal changes may give deep to shallow, rich scenery. In the morning fog has not yet been solar heat evaporation dissipation and each mountain peaks protruding above the fog in the morning when shooting the backlighting of mountain view, due to the proximity of mountains layer has a thickness of morning fog, the fog layer backlight illumination is very bright, as long as the more recent major mountain layers as a basis, take out the exposure will show from deep to shallow level, rich tonal crisp photos.

Cloud mountain regular wind direction of movement, sometimes over a hill or mountain, only to reveal layers of fog is present in the Woods, the Sun from branches and leaves room for irradiation to a sparse forest produce section of sun light, the different light, as the Sun metastatic projection direction and angle, showing the intensity of light.

This all natural scenery changes to our mountain scenery shots created favorable conditions for as long as we live it, grasp the natural variability of the scene, you can shoot with artistry, high-quality photographs of the scenery. Sunset in the evening, because of the moisture in the evening when the space, the less often than the morning fog Sunset was weak. Use the sunset shot scenes, more distant scenes in the haze of the atmosphere, a short distance of scenery like no sunset, if using backlight shot sunset scene, sunset place can such as early morning fog scene, showing scenes of talking about the hierarchy. But the backlighting illumination in the sunset scene, the scene's near absence-har-har gas vulnerable to distant light effects and scenery under exposed. Therefore, shooting-Har Jing, if to make near the scene, they should be subject to close for metering standard. Sometimes shooting distant sunset scenery, we'll use long focal length lens, allowing closer shot the scene in occupies an area of the screen.

Name: Huangshan of pine author: 480301mao

· Five natural atmosphere of shooting tips

Rain is a photographer's least favorite weather, whether it is raining or drizzle, very few people take the camera to shoot the scene outside, even some people think that it would not be able to shoot scenery.

We all know, there are light to photography.

We can take the night scene in the evening, daytime course more rainy day can take, and you can shoot a dynamic rain is rainy night, the right to photograph rain at night. Rain scene has its unique style, not to mention the fact that the rain is also a must have in their lives. In order to reflect more life scenes, rich scenery, rain is also indispensable to shoot us.

Photography rain, as shown in the photo on rainy day in the rain, in addition to choosing the heavy rain, you must have the darker tones of the background set.

If the rain scene background is the heaven, then rain Sky must be white thick clouds, even if the rain is very large, because backgroundAnd the rain section the same white and not visible. The closer the background, the rain of easier, the farther away the background, the inevitable great scenery scenes, rain is also clearly visible. Therefore, shooting the scenes rain range should not be too large, but also to avoid white sky occupies most of the screen, and the impact of rain in the scene.

When it rains, the brightness of the scene is relatively weak.

Therefore, when shooting rain generally want to use a larger aperture and a slow shutter speed, the rain has enough space for photographic scenery for showing yet landing in the rain and can grasp the dynamics in the rain, should stand at a higher location filming. Usually 1/60 sec shutter speed shooting a rainy day, we will be able to show space hasn't rained upon arrival, if you use a shutter speed shooting section of rain rainy day on space become shorter, more slow shutter speed can be a long rainy day, the scenery of might is not clear enough. In the light rain weather photography scene, due to lack of rain in the scenery, the ground cannot demonstrate the rain. However, the use of drizzle in the film deep tone Woods or layer, because the scene in the Sun and is the color of objects in Shenzhen, swelled in the dark between objects as the fog layer, the show is far from simple deep tones. If the scope is not a large viewfinder to near objects keynote luminance for exposure, but also the features in the rain like fog rainy. Every summer, often sunlight suddenly a heavy rain, this is the best time to photograph rain. In the heavy rain to shoot the scene, the camera lens is very easy to be rain, filming before prior consider this, do a rain of preparation tool.

Name: rainy in Jiangnan author: static

· Five natural atmosphere of shooting tips

Snow is white Crystal, it spread, or at the scene, the scene in tonal depth of the object to it and becomes covered in white object and, therefore, snow is white portion of the scene, give the feeling of pure and lovely.

Because of snow white in occupies part of the larger, brighter than the other scene, where the sun light, the brighter. It is also in the film emulsion is sensitive than most scenes, snow is one by one transparent crystals, only in the more remote areas can clearly demonstrate it in this sense. Therefore, in order to demonstrate a level of intensity and snow show more recent local snow grains of transparent texture, using the backlight or back light shots snow most suitable. In this way, even the vision because of backlight or side backlight and profound atmosphere. If a positive light or top light shot snow, light flat is the relationship between vertical photos or, will not be able to make the white fine crystals have shading and texture, but also makes the object loses the stereoscopic effect. However, backlight or side light irradiation in the white area of the larger snow, snow covered are other tints of objects must be easy to become black. In the snow with snow and other tonal object can have a hierarchical presentation, photographing snow must use soft sun rays.

Is down when photographing snow concubines, and also the following rain shooting, must have a dark background, it is easy to set off a snowflake is flying in the sky.

If you shoot sky wider scenes, that only in some dark objects in the space before you can see snow, other parts of the Snowflake is not revealed.

Photographing snow in the Sun, in order to make the blue sky not to too white, you can use the color filter (CPL).

To obtain more concise picture of snow, but also clearly show a hierarchy of objects in the snow and the lines, select the lines of the beauty of the local scenery and soft backlighting, side backlight shot, so that you can make the snow line in a hierarchy of objects can be fully apparent, and thereby get more happy snow.

Name: feel xuexiang author: Paparazzi-

· Five natural atmosphere of shooting tips

From the sun rising from the horizon or the Sun is setting, the ground has certain zhaoxia or sunset cover Sun scattering of light, and a round of no light-scattering of round Sun, that is to shoot the sunrise or sunset.

The Sun was out, or just fall, horizon sky often there will be some colored clouds backlighting, we can wait until the Sun cloud without light scattering time shooting sunrise or sunset. In this way, not only to avoid Sun scattering and film produces halos and makes scenery sky part not only lonely sun exists.

The Sun was out or is about to fall inverse micranthum layer, layer, because there is not reflective of the water, completely and with the Sun in the sky to become dark tonal contrast.

Therefore, in the hills on shooting sunrise or sunset, cloud covered part of the Sun or in the zoom is to increase the exposure part of the sky, to make the sky and mountains layer tones more balanced.

In the Sun just out or will fall, not some clouds in the sky is often the phenomenon.

To avoid the sky is too monotonous, take advantage of some of the more sparse leaves and branches as part of the open sky, the prospect can help balance the scene picture structure. But the branches and leaves too much or too heavy, it will cover most of the sky and the impact on the balance of the screen.

The Sun's image and tone in the morning and evening is not much different.

If you want to distinguish from the photo up or Sunrise, sunset, should go through the scene and tonal differences because morning horizon of relatively clear sky, the sun rises will quickly spread the light shine. Twilight time horizon sky generally more opacity, the Sun is still far away from the horizon is not scattering light. To distinguish from hue, hue is the morning sky red yellow, and magenta sunset tone band.

= "Left" > as a result, shooting at sunrise, the Sun was up on the horizon should be taken immediately, not to be missed. Photographing the sunset can never light scattering in time until the time of entering the horizon, you can leisurely to shoot.

Name: likes cold winter Sunrise photo by brother the author: