We are shooting for magazines to perform tasks file shooting information or record holiday travel at a time, we all want to be prepared for all conditions, from shooting a football to make a portrait of his grandfather's 90 birthday; from the great pyramid of Egypt shooting to record baby in my very first step.
Photographers love the dramatic weather.
Rain, snow, fog, storm sky-use weather can make photos on pigmentation and help you to convey an emotion or feeling. Wet reflection with the neon glow of street and in the sunny looks different, but fog enveloped the abandoned housing than sunny days more atmosphere. Try in different weather conditions to shoot your neighborhood scenes and compare each image to convey the tone. So how in different weather conditions make up the good work? below we'll introduce you to.Rain
When shooting in the rain, to find a hidden places (such as the lobby).
Use umbrellas or plastic bag simply package your camera and lens to leave a hole, because water can damage your equipment. Note in your lens or filter on rain, and you want to clean them regularly.For the purpose of freezing rain air, use 1/125 or higher shutter speed.
1/60 seconds when the rain will appear elongated phenomenon and you reduce the shutter speed is shown more clearly. If you are in the bleak background against the best highlight the rain, but if not possible, try to picture contains another clear object indicates that it was raining---for example, an umbrella or water falling on the puddle.Tip: If you shoot it was raining at the time of the city or just start to rain, going out, shining white streets will give you many Tim color photos.
Rain effects: find out how rain affected your picture.
The leaves are shiny and upwind of the trunk will because the humidity becomes Dim, makes the trees become more dramatic. A farmer can smiling standing in the field watching this rain, but hurry businessmen face might face.Snow
Snow and ice, like the beach, you can cheat the light meter: bright white led to less resigned, don't forget the light meter from the 18% gray for reading.
The easiest way of compensation from the gray card or Vista you know is in the middle tones on reading. Ensure that it is in your body the same light and the light meter and not from a bright background gets reading. If it is important to shoot, just use bracketing.If you take many photos of the same scene tickets, but you have to determine their own light meter number less exposed, you can put the exposure compensation dial settings on the automatic compensation.
If your camera does not have such a turntable, you can change the ISO value to "cheat" light meter. For example, if you use ISO 200 film light meter readings to f/16 to 1/250 sec. Since the gray card you get F/11 at 1/250 second reading. Simply change the ISO value to 100 to compensate a stall. (Remember, halved ISO value doubled the amount of light reaching the film. Don't forget to shoot) when converted back to its original settings.If it is sunny, in the early morning or evening out.
Low-angle sunlight makes the snow than the daytime show more detail and texture. Avoid the Sun from behind you when shooting straight. The reflection from the snow directly into your lens
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