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Tuesday, December 7, 2010
My wedding photography experience and my wedding schedule
Author: pumpkin feel recently married Terry! this is a hot topic, I also took a lot of wedding, my so-called experience to talk about it, please give correct me added first, is to establish the professional ethics, friends invite you to put the important moment entrusted to you, will be fully responsible for after the promise, the whole process seriously, although the entire process down very tired and may eat author: pumpkin feel recently married Terry! this is a hot topic, I also took a lot of wedding, my so-called experience to talk about it, please give correct me added first, is to establish the professional ethics, friends invite you to put the important moment entrusted to you, will be fully responsible for after the promise, the whole process seriously, although the entire process down and was tired, and you may eat the meal, but try and actively move-brain, not only to shoot out of focus precision, exposure, composition of a perfect high-quality photos, but also to develop new ideas, each time you want to try to break through, this is to improve himself. Essential hardware: 1, a high-performance auto focus of the fuselage (such as the F80, EOS30, α 7, such as the best, not MZ-30 weight and adequate). 2, a lens hood standard zoom lens, wide angle, preferably 24 to 105 in Coke's best. Such as a 24-85, 24-105, 2 4-120, and so are the best choice, 28-85 or mouth. Aperture best 3.5-4.5, 2.8 constant, of course, the best. 3, an index in the 25-36 external Flash and above (recommended professional Flash. For example: SB28, SB80DX, 550EX) 4, 2-4 200-degree color negative film (recommend Fuji SUPERIA200). 5, one can hold above the minimum content of the bag. Notes: 1, 2 with battery backup, a Pocket Digital is better with 3, when using Flash can be used to automatically P * stalls or aperture priority (A, AV) aperture priority when using different aperture, recommended 4-5.6. Don't have Flash, when to use multiple large aperture yourself you should have in mind. Flash in the Interior it is best to use greater than 65 degrees upward emission, and in appropriate time to pull out the Whiteboard called eyes light. But there is a color when the roof is not recommended, you can use a telephotos or reduce the Flash exposure compensation, prevention of facial too resigned. 4, the day before going to bed early that morning getting up early to eat. Shot content (I personally shoot experience) must understand that the entire process at various times, places, people, events, and other details, otherwise ... The first volume — 5: 30-1, capturing the bride flowers makeup featurette (you can choose to shoot) 6: 30 – 2, early morning to float spend square bar (you can choose to shoot) 3, flower close-up (don't shoot too rigid, we must strive to play) 7: 30-8: 004, the groom's official single license (bouquets, to nature, you can also choose to come back and then shoot) 5, the groom's House and living room 6-7, a new house in details such as: photo frame edge put the bottle of fresh flower arrangement flower on the edge of the photo or open wedding album-photos etc still-life class 8: 00-8: 308, capturing the groom in firecrackers go out in the bus fleet received Pro 9, line-up (preferably a slow moving, note to shoot a Frenchman General groom like) considerations: to sit down to a dedicated camera car, walk, at the latest to earliest. 10, to the open road on low angle shooting in escorting convoys (can be omitted, mainly cameraman thing) 8: 30-9: 0011, photographing floats into the community of a location considerations: to get the groom knocking at the door before the bride's family quickly familiarize 12, groom knocking at the door of capture considerations: to shoot on the groom's face, don't let the flowers stand out. 13, red envelope, low-angle shot 14, singing, playing programs groom's capture 15, squeeze out the Instant Notes: Bridal boudoir shoot at it's best to let non-key people left to avoid overcrowding the groom to bride 16, 17, bouquet bride bridegroom to not alongside (you can choose to take local) 18, capture looking shoes 19, brides single license (optionally makeup mirror reflection) 20, half of the bride and groom photo 21, bride and mother of the bride photo 22, and the father of the bride photo 23, and 24-photo of parents, the bride and groom group photo with the parents of the bride and mother 25, and say goodbye (get tears poured down stream on OK, I get two) Notes: 19-25, must be taken as a group photo of important before leaving 26-30, the bride and important relatives photo notes: a family photo, note row; otherwise, the main points of a mess. 31-32, the bride and groom to parents attend the shot 33, reversed his position and parents to groom red shot 34, we talk to its cheerful atmosphere (you can choose not to take) 9: 00-9: 3035, out of the bride's capture
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