· On the recent spring flower photography, everything around spring flowers in full bloom, recovery-let's the hibernating Winter photography person, the l.a. times. "should the moderator sansun et al. was invited, I bite lotion to fragile, write some of my photography experience. no flowers at please correct me. Here we start talking about tacks, photographs of flowers and plants.
(This page is not marked with the author of both my flops) i. filming equipment to first talk about the fuselage, in flower photography on the lower fuselage, in theory, any machine that can be used as a flower of the fuselage, but specific to flower shot some of the features of the best has recommended that the fuselage spot, multiple exposure, depth of field preview, reflector pre-l, and other functions. The following talk about shooting focus lens! I think all the focal length of the lens when shooting flowers have fits. of course the focal length of different frequency varies. I personally use the most is the 100-shot around 200mm, since these lenses larger aperture, you can effectively blur background, highlighting the main, but also do not produce serious distortion of perspective, the most recommended. But other types of lens nor can not be used: the extraordinary focal length (300mm above) can be effective compression before and after the King's perspective on relationships so as to achieve a particular effect, increase the impact of the screen (Figure 1). (Figure 1) 400mm shooting, can you imagine the top yellow and the difference between the actual distance safflower near 50m · on flower photography wide-angle lens can widen the perspective on the relationship between the before and after the scene, giving a very broad sense, the same can increase the impact of the screen (Figure 2). (Figure 2) 28-35 around lens, thank friends dd_star provides standard lens for me is universal lens, you can get back into the can keep shooting flower flowers grass-no problem, it is easy to control depth of field, the composition is also very natural, perspective distortion control even more comfortable (Figure 3). (Figure 3) 50mm standard lens, IRIS is about f2.8 (comparative diagram of a double as actual discussion, specifically see below) · on flower photography there is a kind of have to say is important lens for macro lenses-the role of this type of lens is delicate, itself it is to close range designed for photography and all of the macro-lens with the image quality is very good, so many people at the same time, take it as a normal lens, even rarely used in its original purpose. good in both use it all the same great when photographing flowers macro-lens usually point to a play, then you will have full imagination and enough patience to arrangement composition. (Figure 4) (Figure 4) 90mm macro lens, the magnification is about 1: 1.3 shooting film is no restrictions, the General negative exposure latitude Tai, can record more levels. reverse picture color reproduction accuracy, high saturation, contrast, grain and a slightly larger, exposure control, difficult, but if you are using method, ensure that you can take out another satisfactory picture other attachments, like the tripod is an essential thing, spaced polarizing Prism sometimes can shoot of the icing on the cake. (On both, followed by special section describes), by the way, spaced polarizing Prism this filter in all shooting activities can play a larger role, it is recommended that you purchase when the filter is preferred. · On flower photography II. recording time to discuss here is the time of the day, and evening. We all know the best time to shoot portraits are sooner or later the sun angle is relatively low, the low contrast this color temperature, light, the "conclusion" in flower photography on same applies (Figure 5). (Figure 5) shooting at partial time thanks to friends in the evening dd_star provides flower photography has a special place at noon on the top light very strong time shooting flowers, because the light is very strong, enough to penetrate the petal, petal, colors can be displayed completely and make the petals have a transparent sensation (Figure 6). (Figure 6) taken at noon · on flower photography another scenario, in the Sun all downhill, the color temperature is extremely high in the sky light became the main light source in lighting, then photographed flowers completely shrouded in mystery of the blue, without losing the colour performance (recommended 100VS RDP3 on color temperature change sensitive professional reverse picture) (Figure 7) (Figure 7) shot in the evening sun all downhill later (thanks to friends dd_star) · on flower photography
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