Sunday, December 12, 2010

Viewfinder as light as paint on canvas.

* Viewfinder light as paint on canvas as the photographer is usually light in the form of natural light available. .If the outdoors is the sun. .Indoors, the indoor lighting is provided by the light. .Required use of the light is the key. .For the availability of natural light, the light in the use of our time according to the layout is divided into 6 categories. .■ Front Light (Shun light) before the optical viewfinder is more like a canvas of light as pigments <p> photographers usually in the form of light is available natural light. .If the outdoors is the sun. .Indoors, the indoor lighting is provided by the light. .Required use of the light is the key. .For the availability of natural light, the light in the use of our time according to the layout is divided into 6 categories. .</ P> <p> ■ before the light (cis-ray) </ p> <p> before the light is projected across your shoulders are light on the subject. .Before the light is often a dull, blunt and often dark side of light. .If you want to take advantage of this light, trying to make was to replace rotation angle of the subject, it is easy to be more light falls on the subject, and with the flash to make up the underexposed shadows. .</ P> <p> ■ side light </ p> <p> name implies, the side light is a direct shot from the side to the light. .Side light for taking pictures of scenery and stage background shot very well, side light for taking pictures of people too hard, unless you want the characters facial expression of his character (such as facial lines and contours). .Side light for taking pictures of scenery is the most perfect light, giving images a sense of space, the time taken in trying to put a man on the screen to create a contrast to highlight the magnificent scenery, for example, figures on the picture .the edge of the Grand Canyon, and then use wide-angle shots, just let the people there can screen. .</ P> <p> ■ Top-ray </ p> <p> noon, on the vertical projection of light from the sky, the object being photographed, this time not for shooting people. .Because the top light will lead to a large area of shadow, and easy to picture the pale, color rich enough. .Noon is the best time to visit filming, and then select and decide when to come back shooting. .If you really have to shoot, try to use the graduated filter, which will make more saturated color of the sky, the picture also can be more interesting. .</ P> <p> ■ Backlight </ p> <p> backlighting is a direct cast from behind the light, the screen can create a soft ethereal feel, backlight for shooting the waves and the smoke, to picture a deep sense of magic .a sense of magic, when used to shoot portraits of the time, give people a sense of manufacturing a mysterious glow. .Backlight is a wonderful light, but will weaken the color saturation. .Try using a little flash, to the point where the backlight brightness, outstanding color. .</ P> <p> ■ Yin Tianguang line </ p> <p> soft light at this time most suitable for taking pictures of people. .Clouds like a huge box, after it becomes soft light through, so skin looks smooth and soft character. .Yin Tianguang lines also help to overcome the difficulties of exposure, as well the camera chip can capture Yin Tianguang line. .Metering, the first light (smooth light) and brightness of light over the top of the chip's record limits. .</ P> <p> ■ dawn and dusk light </ p> <p> dawn and dusk can be called the magic moment. .With the sun, natural light gradually become more and more close to the blue. .Shooting by day mode will become more prominent this effect. .Do not use auto white balance, which may make the screen look too cold. .Try manually transferred to the appropriate camera exposure, and then use flash fill light for the object being photographed. .This will create a flash on the screen in the cold natural light, warm light and a perfect contrast. .</ P> · viewfinder light as paint on canvas as the Grand Canyon <p> noon time, crowds of people gathered in the valley south, take the Grand Canyon. .The midday sun is not angry, no features, but tourists tend to choose this time of shooting. .Pictures taken this time no doubt disappoint terribly bright screen, too much contrast, almost a monochrome photo. .The above situation can be discussed as part of our next so-called "golden time" an excellent primer. .This magical time, usually refers to the evening hours before sunset, when the natural light is like a huge warm mirror, in this case does not want to 拍出好照片 immune. .One of the benefits of air pollution is that there will be some impurities in the air, when the light becomes soft and warm through the air, to create a beautiful warm red light. .I usually choose this time to shoot, I can make good use of natural light, not just the sunset in the evening, including the early morning at sunrise. .The two periods of natural light, there will be good for your film, I personally prefer the afternoon, not only because I do not get up very early, with the advent of the evening, get better light, the sun disappeared over the horizon .the first few minutes at their best. .Typically, a photographer shooting in the afternoon it easier for the wonderful works best when the light state, pay attention to find the best shooting position. .The morning light is also very good, but you must arrive before the sun reaches the horizon location. .Morning, the longer you shoot, the light is also getting worse, the sun rises over the horizon at the moment, the light quality began to decline. .To return to the Grand Canyon of the shooting. .In the evening or early morning when I go to a place like this panoramic pictures or other suitable place can be taken out, I generally prefer to act alone or with companions as little as possible to go, provided that the attitude of the other party must be a serious photographer. .Tour and travel for people in these two time periods, or in the hotel to sleep, or dine in the restaurant (which is always difficult to travel to avoid.) .Slightly adjust work schedule as long as they have the opportunity in the "prime time" shooting. .</ P> <p> This photo was taken at sunrise in Yellowstone National Park, Snake River, kayaking son down the river, just back to the slowly rising sun. .<strong style="mso-bidi-font-weight: normal"> this picture using the <st1: chmetcnv tcsc = "0" numbertype = "1" negative = "False" hasspace = "False" sourcevalue = "180" unitname .= "mm" w: st = "on"> 180mm </ st1: chmetcnv> <strong style="mso-bidi-font-weight: normal"> lens, exposure, shutter speed combination 1/250s <strong style = ."mso-bidi-font-weight: normal">, aperture f4 </ p> <p align="center"> </ p> · light as the viewfinder as the canvas with a small paint <p> ■ flash .Many entry-level and quasi-professional level with the top of the camera are. .Photographs, apart from the use of natural light, with the use of the flash, you have wonderful photos of people shooting out the secret. .</ P> <p> ■ arrange your day plan. .About noon time to examine the use of the local situation to see what kind of afternoon you would like the location of shooting. .</ P> <p> ■ Bring a compass. .I usually put in the photographic jacket pocket compass, and print out a specific location on a certain time of sunrise and sunset paper. .</ P> <p> ■ In addition, there are some other sites also provides information on sunrise and sunset around the world, customized information. .If the keyword "sunrise and sunset tables" in the Google search, you will find a lot of countries provide local sunrise and sunset on the schedule. .</ P> <p> ■ Tissot, Casio and Timex production table with compass, thermometer, barometer, altimeter, alarm and stopwatch functions. .Table with a compass and more common, the price also makes it more affordable and useful for photographers. .</ P> <p> ■ In addition to the compass, there are many sites where you can provide accurate location and your expected place of sunrise and sunset. .The information from the Internet with the help of a compass will help you find the best place to sunrise and sunset. .</ P> <p> ■ Boy Scouts of America quoted the slogan "always well prepared," you need to carry a tripod. .You can take the afternoon or evening hours have been extended to late, the most frustrating thing was not as simple as a tripod so the equipment to help you reach your wish. .</ P> <p> ■ graduated filter effect may be a successful photo and a photo near the difference between successful. .When the sky is brighter than the future, the need to use the graduated filter. .Gradient filter is at the top to darker, and then down to either suddenly or gently graded, in the end, when the Department becomes clear. .This helps the photographer to shoot pictures in the same bright sky and the prospect of a relatively dark. .If there is no gradient filter, it is almost impossible, because the difference between the two regions too much exposure. .Singh-Ray graduated filter produced quite good, I like their products because the brand of filter is rectangular, and can easily move up and down in front of the camera, allowing you to more easily grasp the impact of filter effects by .area. .Singh-Ray produced a variety of different density filters, block light ratio from 1 to 5 guards have blocked. .Also, filters have different staining methods to meet the needs of different effects. .Singh-Ray is the figure produced by the gradient filters, including soft and hard graduated filter Gradient filter, hard graduated filter for horizontal boundaries clear and precise, soft graduated filter is suitable for more subtle changes </ p> .<p align="center"> </ p> <p> ■ many photographers in the bag, you will find a medium gray filter. .The use of filters is to reduce the intensity of all the light from the lens. .Some people may ask, why not be open directly to the smaller aperture? .If you want to lower the value of ISO sensitive, slow exposure to film, it may be noon, when the waterfall, this time on the need to use the grayscale filter. .Gray filter in the time of purchase into a block, 2 block or more of the block. .Singh-Ray can be adjusted in the company of a gray filter, photographers can make their own adjustments, from 1 to 8 block has been blocked. .Singh-Ray produced in grayscale filter can be adjusted to provide 3 models viewfinder as light as paint on canvas </ p> <p> article is taken from: </ p> <p> Summary: This book by the .American Pulitzer Prize, "National Geographic" magazine for professional photographers to create the joint image processing experts. .Book into the details of the digital photography and digital image processing technology issues, about how digital photography and traditional techniques of light and shadow, the perfect combination of composition, while ensuring that photography itself without losing the visual and aesthetic art. .The book is divided into two parts, the first order "image creation" as the theme, focusing on photography equipment and photographic expertise to expand, elaborate shooting wild animals, characters, scenery and other topics of the various photographic methods and techniques; second part .the image digital processing of digital darkroom techniques, involving adjustment of image formats, image color correction, photo retouching techniques and skills of high-quality image output. .In addition, the book also brings together top photographers from all areas of how the magazines, advertising and fine art film to create unparalleled picture quality practical advice given. .Guiding the content of the book section, all necessary for the digital photographer the ten most important skills. .By reading this book, readers can master the digital photography and digital image processing of the core skills. .This book is suitable for the level of hope to improve their photography and digital darkroom professional photographers, and want to transition from traditional photography to digital photography photographer. .Title U.S. digital photography tutorial (perfect version) (color) Series Name - Standard Book Number ISBN 978-7-115-15448-4/TP.5792 of cataloging TB86 [U.S.] Jay Dickman Jay Kinghorn a translator PLA INSTITUTE Yang .Editor Wang Lin Jing Folio 20 Open sheets of 20 thousand words 515 words 386 pages paperback binding sequence version 1 1st time in January 2007 first edition of the Indian sub-January 2007 price 88.00 yuan </ p> <p> .Book directory: </ p> <p> first part of the creative pictures </ p> <p> Chapter 1, the power of photography photographer 1.2 1.1 Now everyone is a key element of first-class image 1.3 the future of digital photography in this .exactly what the subject 1.4 1.5 how to respect others and to promote social change </ p> <p> 2.1 Chapter 2 of the first purchase of photographic equipment, digital cameras, digital camera type of person 2.1.1 2.1.2 2.2 of the proposal who do not listen to the digital .How are afraid to buy a digital camera 2.3 2.4 2.5 proposal to buy a digital camera and Internet purchase photographic equipment store instructions </ p> <p> 3.1 Chapter 3 proficient camera digital camera digital camera settings 3.1.2 Structure 3.1.1 Digital Analysis .3.1.3 Other Camera programmed shooting modes 3.2 flash mode settings file format 3.2.1 3.2.3 3.2.2 White Balance mode sharpening the contrast and saturation 3.2.4 3.3 3.4 photography digital camera storage media is the highest state .No Rules 3.5 How to create custom white balance </ p> <p> 4.1 Chapter 4 Viewfinder insight as light canvas, prime-time light as pigments 4.1.1 4.1.2 sometimes the simplest is the best reflector 4.3 4.2 .built-in flash and control away from the camera flash menu 4.3.2 4.3.1 4.4 filters use the skills to understand the indoor shooting light 4.5 Shun light, side light and artificial light and backlit 4.6 How to realize the light </ p> <p> Chapter 5 .creative exposure of 5.1 to set the camera shutter speed control example 5.1.1 5.1.2 camera and hand-held camera on the stability Suggestions 5.1.3 If the picture is not good enough, probably not enough when shooting close to 5.2 from the impact of manufacturing screen 5.2.1 .adjust the aperture to achieve maximum impact magic 5.2.2 telephoto lens, wide-angle lens 5.3 how to creatively open exposure </ p> <p> Chapter 6 classic composition guidelines on how the composition 6.1 6.1.1 6.1.2 S trichotomy .rhythm and pattern of the screen curve 6.1.3 Repeat 6.1.4 to establish guide lines using the horizon 6.1.6 6.1.5 6.1.7 Comparative mapping 6.1.8 outline levels to create a tension to keep the screen clean 6.2 6.3 6.4 composition, how to break the routine use of multiple shooting .species composition methods </ p> <p> Chapter 7, take a picture story picture of the story constitutes 7.1 7.1.1 7.1.2 details of the scene to create a magic 7.1.3, see the story through the pictures brought to life portrait of the decisive moment will not be 7.1.4 .7.1.5 less 7.1.6 be concise picture of the story ending how to take pictures of 7.2 means better story </ p> <p> 8.1 Chapter 8, pictures of people taking pictures of people close to the simple model 8.1.1 subject skills 8.1 ..2 arrived after shooting a first step to predict the decisive moment 8.1.3 8.1.4 8.2 know when to leave the shooting of children shooting children in the basic principles and techniques of the subject's posture 8.4 8.3 select the right equipment to achieve the best results with use of natural light .8.5 Environmental portrait flash shooting sports figures 8.6 8.7 8.8 light portraits how to make the existing natural light portraits </ p> <p> Chapter 9 9.1 traveling light to travel and documentary photography, travel photography equipment, photo tips with 9.2 .9.3 the benefits of using a digital camera how to explore opportunities for a good shot upon arrival 9.4 9.5 The first step to understand how to find inspiration for your place to visit for the first time 9.6 how to shoot at a local how to overcome shyness to deal with strangers, such as 9.7 Photography .passports, photographers, such as the Ambassador 9.8 9.9 camera bag in documentary photography, what equipment </ p> <p> shooting outdoor scenery Chapter 10 10.1 everybody wants to be Ansel Adams 10.2 10.2.1 outdoor elements of the work to create a ratio for the screen .10.2.3 10.2.2 to find a sense of the subject area to create a manufacturing point of interest 10.2.4 10.2.5 create the magic sense of being shot 10.3 shooting wildlife animals around aids 10.4 10.4.1 10.4.2 photographic equipment and outdoor related content .filming equipment configuration and list of supporting materials 10.5 10.6 advantages of digital outdoor photography to create a wild area in the picture a sense </ p> <p> second part of the digital darkroom </ p> <p> Overview Chapter 11 11.1 Photoshop-digital darkroom .a creative tool for digital darkroom tour 11.1.1 11.1.2 11.2 pixel nature of digital photography, the power-Photoshop software to customize the work area Introduction 11.2.1 11.2.3 11.2.2 layer file format 11.3 11.2.4 color management .How to find a balance in the digital darkroom point </ p> <p> Chapter 12 12.1 scanner scan the art work is what type of scanner, 12.2, 12.2.1 features and use the flatbed scanner / Tousao Professional 12.2.2 .Film Scanner Scanner roller 12.2.3 12.3 12.4 How to choose the scanner scan scanner need to purchase Notes 12.5 hands 12.5.1 12.5.2 need to ask their own questions to ask the question of digital studio to master scan 12.6 .work </ p> <p> editorial management Chapter 13 13.1 transfer digital camera images in the photo gallery to the desktop to establish a personal acquaintance of 13.2 Edit Picture 13.2.1 13.2.2 Bridge file browser, image sort of professional editors 13.2.3 .Digital Resource Management Software 13.3.1 13.3 13.3.2 Industry-level management using keywords: the use of digital resource management software 13.4 United States, "National Geographic" magazine how to edit pictures </ p> <p> Chapter 14 14.1 color correction of digital video to reconcile regional .14.1.1 RAW format exposure system advantages 14.1.2 RAW file adjustment of color tone adjustment 14.2 to 14.1.3 within three minutes of rapid adjustment in digital image </ p> <p> Chapter 15 15.1 paintbrush image enhancement .Tools 15.1.1 History 15.1.2 retouching tools new selection panel and the mask 15.1.3 15.1.4 Alpha channel from the selected area to sharpen 15.2 15.1.5 15.1.6 Noise Reduction Technology for how to improve a portrait </ p .> <p> Chapter 16 16.1 printouts print digital printing 16.1.1 16.1.2 for professional digital photography studio for washing larger picture 16.1.3: Image interpolation for web publishing pictures of 16.2 16.1.4 How to print works of art photography .</ p> <p> Chapter 17 17.1 deal with the digital black and white photographs using digital color to black and white grayscale conversion 17.1.1 17.1.2 17.1.3 using the Lab color mode conversion using a hybrid channel conversion 17.1.4 using Adobe Camera RAW conversion .17.2 to digital black and white photographs hand coloring black and white photo color tones 17.2.2 17.2.1 17.2.3 sepia tone split tone black and white photographs printed 17.3 17.3.1 17.3.2 Notes print black and white photo print film harmonic level control of digital print and I 17.4 .</ p> <p> Chapter 18 automation and workflow automation 18.1.1 18.1 18.1.2 image thumbnail catalog of the motor function package 18.1.3 Photoshop 18.1.4 18.2.1 image processing software with 18.2 storage CD / .DVD disc storage 18.2.2 image backup using hard disk storage 18.3 18.4 how to set digital workflow </ p> <p> </ p> <p align="center"> </ p> <p> </ p> <p .align = "center"> </ p>.

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