An indoor portrait shooting process

[Shooting environment] rain in the morning, because of the rain, so carrying quartz lamp lamps to Office, backlit film at eleven o'clock in the morning. [Idea] this time of the shooting, because of the heavy rain, we changed the scene in the Office. Landing window scenario, modelling the main lighting comes from the Interior of the light source, in addition to the original warmer's tungsten light, stone

[Shooting environment] rain in the morning, because of the rain, so carrying quartz lamp lamps to Office, backlit film at eleven o'clock in the morning. [Idea] this time of the shooting, because of the heavy rain, we changed the scene in the Office. Landing window scenario, modelling the main lighting comes from the Interior of the light source, in addition to the original warmer's tungsten light, quartz lamp lamps (mixed light result set using the color temperature is a little difficult). Overall, indoor lighting can be seen as 3500K warm tone color temperature environment. And the outdoor temperature is rainy days, slightly higher than the 6500K color temperature of cold tones. In modelling of boot can be biased in the lovely, warm or leisurely, with little sense of fashion. The color balance setting in tungsten, will make the portrait skin from the original tune more usual most 6500K colors. In other words, you can imagine all scenes are to increase the color temperature (indoor up to 6500K, outdoor is raised to 9500K), while the outdoor scenes, it becomes quite blue. Simply use the spot light sources, not to use Flash to supplemental lighting the entire lighting becomes complicated. In this way, they constitute the same picture of color rendering: 「introduction normal tonal (after white balance adjustment), cold tones (rainy day natural light) 」 's second layer color style and taste. This way of shooting, but also domestic Studios often used technique. [Supplement] 1. as a result of the indoor light sources is not consistent as Studio control until delivery, so that in the latter part of the system on or to further fine-tune the white balance. 2. in the choice of the lens, we find that even in indoor shooting, 85mm lens or lens than 50mm easier showing the common 「introduction Photo 」 Studio scene feel and sense of fantasy. 3. cloudy, the outdoor temperature is high, so this concept for shooting outdoors will become more blue! [data] figure 1. window of shooting scene separated into two different color temperature environment

85mm fixed lens (equivalent to traditional 127mm), M full manual mode, Aperture, shutter speed 1/F2 80s, ISO 200, tungsten white balance. 2. in the window next to the shooting scene separated into two different color temperature environment

85mm fixed lens (equivalent to traditional 127mm), M full manual mode, Aperture, shutter speed 1/F2 80s, ISO 200, tungsten white balance. 3. the red color of the sofa

85mm fixed lens (equivalent to traditional 127mm), M full manual mode, Aperture, shutter speed 1/F2 100s, ISO 200, tungsten white balance.