Is this big book magenan, reading to read, but also some ideas, many of the composition approach seems to be a lot of people like to use, may wish to summarize here.
First, the use of front and rear view
This seems to be very common form of manipulation, look, there are different:
1, the prospect of a virtual box, more clearly after the King, but the prospects are also not easy, in addition to the role of composition, also give the environment or groups.
For example:Patrick Zachmann FRANCE.
Paris. March 1981Patrick Zachmann Hong Kong.
Kowloon. 19872, more commonly, after King as a particular significance, the symbol of the environment, and the prospect of a general representative as individuals.
This composition is common ways indeed, many photographers will use this way. For example:Larry Towell's works
3, there is also a comparison of before and after the King is the same after King in seeking, as General, but prospects for special. For example:Dennis Stock works
Abbas works
Second, symmetrical composition
This symmetry, I summed up in two ways: 1. more strict symmetry, for example:
Richard Kalvar works
T.Dworzak works
2, there are certain changes and correlation of symmetry, for example Peter Marlow in two work:3. frame composition
Famouser is Marc Riboud of this one:
IV. repeat-composition
This two-composition, are inclined, Bischoff also left a piece, I think this "oblique" is not by chance, is not a coincidence.
Chris Steele-Perkins works
5. multi-agent arrangements
I personally have defined multiple subjects, usually two or two or more subjects: subjects, there are three main, of three subjects:
Richard Kalvar works
Abbas works
Before and after the three principal is also very common, it is important that these three main and secondary and distribution, unlike tied for third body, except that the perspective and sense of space.
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